Score: Mozart, K. 590, and Frederick William II.
Boston Globe, January 6, 2017.
Globe Articles
I got a little piece of Kryptonite
Score: For Country Joe McDonald at 75.
Boston Globe, December 30, 2016.
Draw the line
Score: Carl Ludwig’s kymograph and its musical lineage.
Boston Globe, December 23, 2016.
Home and away
Score: Prokofiev’s op. 34 and a Zionist ensemble’s American landings.
Boston Globe, December 9, 2016.
Making ends meet (and missing connections)
Two recent Score columns:
Remembering Jean Carignan.
Boston Globe, December 2, 2016.
Josaphat, the Buddha, and Richard Wagner.
Boston Globe, November 24, 2016.
I hop right in that car of mine and ride around the world
Score: Charles Theodore Pachelbel’s fragmentary life.
Boston Globe, November 18, 2016.
Steel and bronze
Catching up on weekend links:
Score: the exacting world of piano wire.
Boston Globe, November 11, 2016.
(In advance of Eli Keszler’s performance this Friday in connection with his installation Northern Stair Projection.)
Reviewing the Berlin Philharmonic and Sir Simon Rattle.
Boston Globe, November 12, 2016.
Also: I’ve been forgetting to link to this, but you can now read an article I wrote for Symphony magazine on titling trends in new orchestral works.
Better get ready for a brand new day
I’m totally behind on links, so let’s catch up:
Score: William Merritt Chase—an American Impressionist and his instruments.
Boston Globe, October 21, 2016.
Score: Rosemary Brown and her famous (dead) collaborators.
Boston Globe, October 29, 2016.
Score: Ray Conniff and Billy May at 100.
Boston Globe, November 4, 2016.
In defense of my tardiness, I can claim a) a crush of work, b) a three-year-old who demanded a custom-tailored Cinderella dress for Halloween (which meant a week’s battle with the sewing machine), and c) um, well, this:
My more-often-than-not forlorn fandom has been commemorated in this space at assorted past moments of temporary buoyancy, so it is not a surprise that my productivity has been utterly subverted for some weeks now. (I played “Go Cubs Go” as an organ postlude this past Sunday and I don’t think there was a soul in the congregation who had a clue what it was, which somehow made it even more fun.)
Still: slacking. So, to make it up to you, I made you a drink:
Clock Watcher
½ oz Bénédictine
½ oz lemon juice
½ oz lime juice
2-3 oz Canadian Club (or any rye-heavy whiskey; amount based on just how much time we’re trying to skip over here)
a healthy 4-5 dashes of Peychaud’s bitters
Shake everything up with ice, strain into a cocktail glass, garnish with an orange twist.
Tomorrow (Tuesday) is election day here in the U.S. Go vote! And remember the words of that most optimistic of radicals, Jean Jaurès:
All of us forget that before everything else, we are… ephemeral beings lost in the immense universe, so full of terrors. We are inclined to neglect the search for the real meaning of life, to ignore the real goals—serenity of the spirit and sublimity of the heart … To reach them—that is the revolution.
Electricity so fine
Score: Tristan Murail’s Vampyr!, deep inside distortion
Boston Globe, October 14, 2016.
The Long, Long Trailer
Reviewing Fretwork and Suzie LeBlanc.
Boston Globe, October 10, 2016.
