Reviewing Ashmont Hill Chamber Music.
Boston Globe, May 24, 2011.
The final paragraph was whittled for length—the original:
But the rest of the program engagingly wrestled with dualities. Snow’s energetic rendition of two “Figments” by Elliott Carter seemed to collect the the concert’s threads of pugnacious, eloquent self-assertion. The second, “Remembering Mr. Ives,” paid shadowboxing tribute with a series of punchy double-stops, answered by slippery, icy harmonics: the American eagerness to get in the ring with ghosts.
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