Harold Camping, an evangelical radio host who previously predicted the end times would happen in 1994 (well, Korn did release their debut album in 1994, so he gets half-credit), has, as you might have seen, updated his calendar. Now Camping is spreading the word—via the website WeCanKnow.com—that the Rapture will come on May 21, 2011.
Wait a minute—the Rapture is happening on Fats Waller’s birthday?
(The movie is 1936’s King of Burlesque.)
I’m not much for this particular brand of Christian eschatology, but I must confess—Camping is my kind of conspiratorial numerologist.
Author: sohothedog
No sweeter sound than this is heard

Guerrieri: Rejoice, Rejoice! (PDF, 87 Kb; plastic-imitation MIDI here)
It’s Christmas carol time. This one sets a text by William Chatterton Dix, better known for writing “What Child Is This?” (Surely the most leading question in Christmas carol history, outpacing “Do You Hear What I Hear?” by a wide margin. I’ve always wanted to hear a version of “What Child Is This?” where the baby isn’t Jesus. Twist ending!) Dix was also the manager of an insurance company, which makes him the Charles Ives of hymn-writers, I suppose. At any rate, this carol manages to be both cheerful and consistently unsettled, which is how I imagine pretty much everybody spends their holiday season.
By the way, previous years’ carols can now be accessed with the handy “Carol” tag at the bottom of this post. Four years on, and I’ve finally come around to blog tags! To be fair, the tags put a bit of strain on my 2400 baud modem.
Who will save you now, pathetic earthlings?
In reading up on yesterday’s news about Louis Andriessen and his Grawemeyer Award, I missed Norman Lebrecht’s very Norman-Lebrecht-ish post on the award, especially this sentence:
Andriessen does not rank high among composers who will dominate the future.
That is awesome. I finally have a universally applicable aesthetic criterion that can bump me from a humble classical-music stringer to the critical equivalent of a melodramatic, over-the-top science-fiction villain.
| “Hmmmm… it’s a nice piece, clever instrumentation, elegant use of post-serialist vocabularies. But wait—will this piece…” | ![]() |
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“…DOMINATE THE FUTURE?“ |
Time to start growing that goatee out to a menacing point.
A thousand violins fill the air
Hey, Kim Jong-Il—your isolated, repressive, and dangerously unstable regime has just precipitated yet another military standoff with your neighbors to the south. What are you going to do next?
“I’m going to a concert!”
Apparently having run out of provocations for the weekend, Kim Jong-Il, his designated heir, Kim Jong-Un, and a host of North Korean political grandees took in a little music last night (well, one assumes it was last night, though the report doesn’t specify), attending a concert by the State Symphony Orchestra of the DPRK. According to the North Korean news agency:
Put on the stage were serial symphonies “Song Dedicated to the Party,” piano concerto “Do Prosper, My Country,” orchestras “A Bumper Harvest in the Chongsan Plain” and “A Soldier Hears Rice Ears Sway” and other colorful numbers.
(I don’t think “serial” means what the translator thinks it means, but my Korean is nowhere near good enough to tell what’s trying to be said. If you’re curious, the orchestra has recorded Choe Jong Yun’s piano concerto on “Do Prosper, My Country.”) North Korean concerts inevitably come with a healthy dose of propaganda (this particular concert, for instance, comes on the heels of an annual concert dedicated to Isang Yun, whose stature in the North is equal parts musical accomplishment and his kidnapping by the South Korean security forces in 1967). Maybe that old story about Bismarck listening to Beethoven’s Fifth before declaring war on France is still current in Pyongyang.
In other news:
Louis Andriessen wins this year’s Grawemeyer Award.
Meanwhile, the Louisville Orchestra (like its Honolulu counterpart) mulls bankruptcy options.
Next year’s royal wedding could feature Peter Maxwell Davies and Andrew Lloyd Webber on the same program—if the latter is asked.
Tomorrow, the town of Dumfries unveils a memorial cairn for Angus MacKay, first to hold the post of Queen’s Piper.
In closing: the neurology of Satie’s Vexations.
Holiday (II)
Here in the United States, tomorrow is Thanksgiving Day, a fine idea for a holiday that is nevertheless in perpetual danger of being swamped by the 600-pound-gorilla that is Christmas. (That’s right, I just compared the birthday of the Son of God to a gorilla. Take that, creationists!) In other words, Thanksgiving might just be the most American holiday there is, a kind of calendrical Lagrange point between sentimental gratitude for the stuff we have and mania for acquiring more stuff. And thus it’s always been—witness the years 1939 to 1941, when Franklin D. Roosevelt bumped Thanksgiving from the fourth Thursday in November to the third, at the presumed sales-boosting behest of Lew Hahn, president of both the Retail Dry Goods Association and the era’s largest department-store holding company. (Since it wasn’t yet a national holiday, states could follow FDR’s lead or not, and when one celebrated Thanksgiving became a barometer of political opinion.)
Back then, it was actually considered in poor taste for stores to put up Christmas decorations and have Christmas sales prio to Thanksgiving, a bit of social pressure that seems downright quaint nowadays; I saw places this year putting out their Christmas merchandise prior to Hallowe’en. I am, myself, a purist—nothing remotely yuletide-ish goes up until after Thanksgiving, my own small Maginot Line against the day when the Christmas retail season colonizes so much of the calendar that Thanksgiving becomes a kind of cult holiday. It’s kind of like ostentatiously ignoring round-number anniversaries of Mozart’s death (1791) in favor of Prokofiev’s birth (1891).
Every year, I do two things on Thanksgiving: eat enormous quantities of my mom’s stuffing, and harangue everybody reading this space to cough up a few bucks to the anti-hunger charity of your choice. (Here at Soho the Dog HQ, it’s The Greater Boston Food Bank—you can search for your local equivalent here.) Why should this year be any different? No good reason I can think of. Traditions are so heartwarming, after all.
Sweetness and light
Reviewing Pinchas Zuckerman and Yefim Bronfman.
Boston Globe, November 24, 2010.
Holiday (I)
Of this Cecilia thus it is written in the Martyrologe by Ado, that Cecilie the Virgine after she brought Valerian her husband espoused, and Tiburtius his brother to the knowledge and fayth of Christ, and with her exhortacions had made them constant vnto martyrdome: after the suffering of them she was also apprehended by Almachius the ruler, and brought to the Idoles to do sacrifice: which thing when she abhorred to do, she should be presēted before the iudge to haue the condemnation of death. In the meane time the Sergeants and officers which were about her, beholding her comelye beuty, and the prudent behauiour in her conuersation, began with many persuasions of words to sollicite her mynde, to fauour her selfe, and that so excellent beutye, and not to cast her selfe away. &c. But she agayne so replyed to them with reasons and godly exhortatiōs, that by the grace of almighty God their harts began to kindle, and at length to yeld to that religion, whych before they did persecute. Which thing she perceiuing, desired of the iudge Almachius a little respite. Whych being graunted, she sendeth for Vrbanus the bishop home to her house, to stablish and grounde them in the fayth of Christ. And so were they, with diuers other at the same tyme baptised, both men and wemen, to the number (as the story saith) of. 400. persons, among whom was one Gordianus a noble mā. This done, this blessed martyr was brought before the iudge, wher she was condēned: then after was brought to þe house of þe Iudge, wher she was inclosed in a whote bathe, but she remainyng ther a whole daie and night without any hurt, as in a colde place, was broughte out agayne, and commaundement geuen that in the bath she should be beheaded: The executour is sayde to haue iiii. strokes at her necke, as yet her heade beynge not cut of, she (as the storye geueth) liued iii. dayes after. And so dyed thys holy virgyn martyre, whose bodye in the night season Vrbanus the Byshop tooke and buryed amonge the other byshops.
—John Foxe, Acts and Monuments
(Foxe’s Book of Martyrs) (1570 edition)
From the online variorum edition (in progress) produced by the Humanities Research Institute at the University of Sheffield. (Previously: 1, 2.)
Big time
Reviewing the Boston Philharmonic’s Bruckner 8.
Boston Globe, November 22, 2010.
Abort, Retry, Ignore, Fail?
Reviewing the NEC Opera Theatre’s The Magic Flute.
Boston Globe, November 22, 2010.
Organ donor
Somehow, I missed this, which makes me wonder what else I’ve been missing, but James Kibbie, organist and University of Michigan professor, recorded all of J. S. Bach’s organ works on a variety of German baroque organs, and then posted all the recordings online, for free. Extra nerd nourishment: for each piece, he’s also listed the organ registration. That’s about a week’s worth of procrastination fodder, right there. Fantastic.
I immediately went to my two favorites: the “St. Anne” prelude and fugue, and BWV 679, a sly little show-off fughetta on “Dies sind die heiligen zehen Gebot” (“These are the holy ten commandments”), in which Bach states the fugue subject, yes, ten times, and at the point where the commandments shift from “thou shalt” to “thou shalt not,” inverts the subject. I always imagine Johann pouring himself an extra, self-congratulatory glass of beer after dashing off that one.


