Score: A brief history of the Unda Maris.
Boston Globe, May 26, 2017.
Placidia
Score: Morton Feldman and the painters.
Boston Globe, May 18, 2017.
Prends la vie comme le vent, / Avec ton nez

In memory of Soho the Dog’s loyal critic-at-large Moe (ca. 2003-2017). You weren’t always a good dog, but you were the best dog.
Spin cycle
Score: Kepler, Bruckner, and the young Mahler.
Boston Globe, May 13, 2017.
De cetero, fratres, gaudete

Guerrieri: Oh, Yes! (2014) (PDF, 218 Kb)
Guerrieri: From Proverbs (2015) (PDF, 56 Kb)
Guerrieri: My God! Permit My Tongue (2017) (PDF, 42 Kb)
The Presbyterian Church in Sudbury, the place that provides me with much of my gainful employment, is in the midst of searching for a new permanent pastor, which, within Presbyterian polity, is a deliberately long and painstaking process. It does, however, provide the opportunity for temporary and interim pastors to pass through and leave their mark, and, in that regard, we’ve been pretty lucky.
Intending to post the introit that was a parting gift to our most recent interim pastor, I realized that I had never posted the introit paying tribute to the previous one, nor, even, the anthem that was written as a farewell to our former permanent pastor—inexplicable indolences that I am happy to now rectify. Bill McIvor, Carolyn Browning Helsel, Rick Otty: it’s been a distinct and genuine pleasure working with you.
UPDATE (November 2017): One more, for the Rev. Tom Forster-Smith:
Guerrieri: Hark! a Gladsome Voice is Thrilling (2017) (PDF, 53 Kb)
UPDATE (August 2018): One more, for the Rev. Kelsey Woodruff:
Guerrieri: Christ for the World We Sing (COELSIGE 6.6.4.6.6.6.4) (2018) (PDF, 154 Kb)
The highway is your girlfriend
Score: Felix Weingartner’s Boston stopover.
Boston Globe, May 5, 2017.
Why, sometimes a smile will right every wrong
Score: On William Grant Still’s Afro-American Symphony.
Boston Globe, April 28, 2017.
Ti (r)ingrazio
One of my favorite linguistic indulgences as a reader and a writer is what I think of as “found Beckett”—Beckettismes trouvés, even better—those little commonplaces that, under the very slightest hermeneutical pressure, collapse into whirlpools of comically, despairingly elusive meaning. Take that old favorite, “thanks but no thanks.” I mean, even at face value, it’s like some sort of ill-formed Boolean algebra:
(thanks)∧¬(thanks)
—an unsettled judgement, yanking the rug out from under any possibility of an objectivist conception of language. Or maybe it’s a reminder that, suitably intensified, gratitude can tip over into micro-aggression:
thanks, but no, THANKS
Push it further, and it becomes pure self-negation, a matter-antimatter collision leaving only meaninglessness in its wake:

—and suddenly the abyss is staring back at you, and returning your submitted materials under separate cover.
At any rate, in celebration of the bumper crop of thanks-but-no-thanks that has been the last eighteen months of my professional life, here’s a deceptively dangerous little tiki-drink riff. It’s rather good (WARNING: Beckettisme trouvé approaching) if I do say so myself.
F’ing the Merciless
1.75 oz amber rum
1 oz lime juice
0.5 oz peach liqueur
0.5 oz orgeat
0.25 oz dry ginShake with ice and strain into a chilled glass. (Or, alternately, strain into a tall glass filled with ice and top off with seltzer.)
I’m not just one of your many toys
Reviewing Boston Baroque’s Giulio Cesare.
Boston Globe, April 23, 2017.
Water flowing underground
Score: Takemitsu, Tarkovsky, and Nostalghia.
Boston Globe, April 21, 2017.
F’ing the Merciless